| LIFE PAINTING |
Winter |
2026 |
ART CS 101, Section 1 |
Hank Pitcher |
| THE ALTERNATIVE ABSTRACT |
Winter |
2026 |
ART CS 102, Section 1 |
Madeleine Ignon |
| SENIOR EXHIBITION SEMINAR |
Winter |
2026 |
ART CS 107, Section 1 |
Kim Garcia |
| ROUND TABLE |
Winter |
2026 |
ART CS 112, Section 1 |
Lucy Bell |
| ARTISTS' FUTURES: PROFESSIONAL PRACTICES |
Winter |
2026 |
ART CS 107, Section 2 |
Sarita Zaleha |
| FRESHMAN/TRANSFER COLLOQUIUM |
Fall |
2025 |
ART CS 15, Section 1 |
Madeleine Ignon |
| LIFE DRAWING |
Fall |
2025 |
ART CS 101, Section 1 |
Hank Pitcher |
| THE COLD READ - CRITIQUE SEMINAR |
Fall |
2025 |
ART CS 107, Section 1 |
Kim Garcia |
| STUDIO PRACTICE IN PAINTING |
Fall |
2025 |
ART CS 112, Section 1 |
Hank Pitcher |
| BOOK ARTS |
Fall |
2025 |
ART CS 105, Section 1 |
Iman Djouini |
| LIVING ARCHIVE |
Fall |
2025 |
ART CS 112, Section 2 |
Lucy Bell |
| RENDERING THE ARCHIVE |
Spring |
2025 |
ART CS 101, Section 1 |
Kim Garcia |
| ARTISTS' FUTURES |
Spring |
2025 |
ART CS 107, Section 1 |
Iman Djouini |
| EXHIBITION DEVELOPMENT STUDIO |
Spring |
2025 |
ART CS 107, Section 3 |
Lyra Purugganan |
| FOOD AS MATERIAL, EATING AS PERFORMANCE |
Spring |
2025 |
ART CS 120, Section 1 |
Lyra Purugganan |
| THE INTERSECTION OF ART AND DESIGN |
Spring |
2025 |
ART CS 107, Section 2 |
Madeleine Ignon |
| THE UNFINISHED CONVERSATION: ART AND LITERATURE IN HISTORY |
Spring |
2025 |
ART CS 5, Section 1 |
Hank Pitcher |
| LIFE DRAWING |
Winter |
2025 |
ART CS 101, Section 1 |
Hank Pitcher |
| THE ALTERNATIVE ABSTRACT |
Winter |
2025 |
ART CS 102, Section 1 |
Madeleine Ignon |
| ARTISTS' FUTURES: PROFESSIONAL PRACTICES |
Winter |
2025 |
ART CS 107, Section 1 |
Sarita Zaleha |
| SENIOR EXHIBITION SEMINAR |
Winter |
2025 |
ART CS 112, Section 1 |
Kim Garcia |
| ADVANCED SOLO PROJECTS |
Winter |
2025 |
ART CS 112, Section 2 |
Kip Fulbeck |
| MATERIAL DISOBEDIENCE: QUEERING THE OBJECT |
Winter |
2025 |
ART CS 120, Section 1 |
Lyra Purugganan |
| FRESHMAN AND TRANSFER COLLOQUIUM |
Fall |
2024 |
ART CS 15, Section 1 |
Madeleine Ignon |
| THE FICTIVE BODY |
Fall |
2024 |
ART CS 125, Section 1 |
Kim Garcia |
| LIFE DRAWING |
Fall |
2024 |
ART CS 101, Section 1 |
Hank Pitcher |
| INDEPENDENT STUDIES |
Fall |
2024 |
ART CS 112, Section 1 |
Hank Pitcher |
| FOOD AS MATERIAL, EATING AS PERFORMANCE |
Fall |
2024 |
ART CS 120, Section 1 |
Lyra Purugganan |
| EXPERIMENTAL DRAWING: RENDERING THE ARCHIVE |
Spring |
2024 |
ART CS 101, Section 1 |
Kim Garcia |
| EXHIBITION DEVELOPMENT STUDIO |
Spring |
2024 |
ART CS 107, Section 3 |
Kevin Clancy |
| SCULPTURE AND EXTENDED MEDIA IN THE DIGITAL AGE |
Spring |
2024 |
ART CS 120, Section 1 |
Kevin Clancy |
| INTERMEDIATE TO ADVANCED SCULPTURE |
Spring |
2024 |
ART CS 120, Section 2 |
Jane Mulfinger |
| BOTANICAL ART |
Spring |
2024 |
ART CS 102, Section 1 |
Hank Pitcher |
| ARTISTS’ FUTURES |
Spring |
2024 |
ART CS 107, Section 2 |
Iman Djouini |
| SENIOR EXHIBITION SEMINAR |
Spring |
2024 |
ART CS 112, Section 1 |
Iman Djouini |
| PRINT MEDIA: REPEAT PATTERN |
Winter |
2024 |
ART CS 104, Section 1 |
Iman Djouini |
| ADVANCED RESEARCH AND PRACTICE: INDEPENDENT STUDIO PROJECTS |
Winter |
2024 |
ART CS 112, Section 2 |
Iman Djouini |
| INSTALLATION ART: PORTALS TO OTHER WORLDS |
Winter |
2024 |
ART CS 120, Section 1 |
Kevin Clancy |
| LIFE DRAWING |
Winter |
2024 |
ART CS 101, Section 1 |
Hank Pitcher |
| ARTISTS’ FUTURES: PROFESSIONAL PRACTICE |
Winter |
2024 |
ART CS 107, Section 1 |
Sarita Zaleha |
| THE FICTIVE BODY |
Winter |
2024 |
ART CS 125, Section 1 |
Kim Garcia |
| FRESHMEN AND TRANSFER COLLOQUIUM |
Fall |
2023 |
ART CS 15, Section 1 |
Madeleine Ignon |
| PRINT MEDIA: GLOBAL TYPOGRAPHY |
Fall |
2023 |
ART CS 104, Section 1 |
Iman Djouini |
| BOOK ARTS: THE EDITION - INTERMEDIATE AND ADVANCED APPROACHES |
Fall |
2023 |
ART CS 105, Section 1 |
Iman Djouini |
| DRAWING AND PAINTING |
Fall |
2023 |
ART CS 112, Section 2 |
Hank Pitcher |
| BITS + ATOMS: SCULPTURE AND EXTENDED MEDIA IN THE DIGITAL AGE |
Fall |
2023 |
Art CS 120, Section 1 |
Kevin Clancy |
| DRAWING |
Spring |
2023 |
ART CS 101, Section 1 |
|
| BOTANICAL ART |
Spring |
2023 |
ART CS 102, Section 1 |
Hank Pitcher |
| BOOK ARTS: THE EDITION - INTERMEDIATE AND ADVANCES APPROACHES |
Spring |
2023 |
ART CS 105, Section 1 |
Iman Djouini |
| THE INTERSECTION OF ART AND DESIGN |
Spring |
2023 |
ART CS 107, Section 1 |
Madeleine Ignon |
| ARTISTS' FUTURES: SENIOR EXHIBITION SEMINAR |
Spring |
2023 |
ART CS 107, Section 2 |
Iman Djouini |
| READING PAINTING |
Spring |
2023 |
ART CS 112, Section 1 |
|
| EXHIBITION PRACTICE |
Spring |
2023 |
ART CS 112, Section 2 |
Marisa de la Peña |
| LIFE DRAWING |
Winter |
2023 |
ART CS 101, Section 1 |
Hank Pitcher |
| THE ALTERNATIVE ABSTRACT |
Winter |
2023 |
ART CS 102, Section 1 |
Madeleine Ignon |
| MATERIALS AND PRACTICES OF PAINTING |
Winter |
2023 |
ART CS 112, Section 1 |
|
| ADVANCED RESEARCH AND PRACTICE |
Winter |
2023 |
ART CS 112, Section 2 |
Iman Djouini |
| ADVANCED SOLO PROJECTS |
Winter |
2023 |
ART CS 112, Section 3 |
Kip Fulbeck |
| TACTILE NARRATIVES |
Winter |
2023 |
ART CS 120, Section 1 |
Marisa de la Peña |
| SOCIAL PRINT LAB |
Fall |
2022 |
ART CS 104, Section 1 |
Iman Djouini |
| INDEPENDENT PROJECTS IN DRAWING AND PAINTING |
Fall |
2022 |
ART CS 112, Section 2 |
Hank Pitcher |
| SCULPTURE AND INSTALLATION |
Fall |
2022 |
ART CS 120, Section 1 |
Jane Mulfinger |
| FRESHMEN & TRANSFER ART COLLOQUIUM |
Fall |
2022 |
Art CS 15, Section 1 |
Madeleine Ignon |
| DECOLONIAL HORROR |
Fall |
2022 |
Art CS 120, Section 2 |
Marisa de la Peña |
| BIG PAINTING |
Fall |
2022 |
ART CS 101 Section 1 |
|
| EXHIBITION PRACTICES |
Fall |
2022 |
ART CS 112, Section 1 |
|
| BOTANICAL ART |
Spring |
2022 |
ART CS 101, Section 1 |
Hank Pitcher |
| DRAWING |
Spring |
2022 |
ART CS 101, Section 2 |
|
| PRINTS: GLOBAL WRITING (TYPOGRAPHY) |
Spring |
2022 |
ART CS 104, Section 1 |
Iman Djouini |
| ART RESEARCH AND PRACTICE: DEVELOPING NEW OR ONGOING PROJECTS |
Spring |
2022 |
ART CS 112, Section 1 |
Linda Ekstrom |
| READING PAINTING |
Spring |
2022 |
ART CS 112, Section 2 |
|
| FIELD RESEARCH CONTEMPORARY ART |
Spring |
2022 |
ART CS 120, Section 1 |
Jane Mulfinger |
| LOCKS AS ART |
Spring |
2022 |
ART CS 120, Section 2 |
Lucas Murgida |
| THE NATURAL AND UNNATURAL WORLD - LANDSCAPE PAINTING |
Winter |
2022 |
ART CS 101, Section 1 |
Hank Pitcher |
| BOOK ARTS: THE EDITION - INTERMEDIATE AND ADVANCES APPROACHES |
Winter |
2022 |
ART CS 105, Section 2 |
Iman Djouini |
| INTRODUCTION TO ARTISTS' BOOKS & PUBLICATIONS: 10 BOOKS IN 10 WEEKS |
Winter |
2022 |
ART CS 105, Section 1 |
Linda Ekstrom |
| ARTISTS' FUTURES: PROFESSIONAL PRACTICES |
Winter |
2022 |
ART CS 107, Section 1 |
Sarita Zaleha |
| MATERIALS AND PRACTICES OF PAINTING |
Winter |
2022 |
ART CS 112, Section 2 |
|
| BODY AS SCULPTURE |
Winter |
2022 |
ART CS 120, Section 1 |
Lucas Murgida |
| CCS ART COLLOQUIUM |
Fall |
2021 |
ART CS 15, Section 1 |
Linda Ekstrom |
| SOCIAL PRINT LAB |
Fall |
2021 |
ART CS 105, Section 1 |
Iman Djouini |
| INDEPENDENT PROJECTS IN DRAWING AND PAINTING |
Fall |
2021 |
ART CS 112, Section 2 |
Hank Pitcher |
| INDEPENDENT PROJECTS |
Fall |
2021 |
ART CS 112, Section 1 |
|
| PAINTING |
Fall |
2021 |
ART CS 101, Section 1 |
|
| ALTERNATIVE ABSTRACT |
Fall |
2021 |
ART CS 102, Section 1 |
Madeleine Ignon |
| VIEWER INTERACTIVE WORKS |
Fall |
2021 |
ART CS 120, Section 1 |
Lucas Murgida |
| DRAWING |
Spring |
2021 |
ART CS 101, Section 1 |
|
| IN TRANSLATION |
Spring |
2021 |
ART CS 105, Section 1 |
Iman Djouini |
| READING PAINTING |
Spring |
2021 |
ART CS 112, Section 1 |
|
| INDEPENDENT PROJECTS – WORDS, WORDS, WORDS |
Spring |
2021 |
ART CS 112, Section 3 |
Linda Ekstrom |
| PERFORMANCE AND PROCLAIMATION |
Spring |
2021 |
ART CS 112, Section 4 |
Serene Blumenthal |
| DESIGN & THE HUMAN EXPERIENCE |
Spring |
2021 |
Art CS 107, Section 1 |
Madeleine Ignon |
| INDEPENDENT PROJECTS IN DRAWING AND PAINTING |
Spring |
2021 |
ART CS 112, Section 2 |
Hank Pitcher |
| LIFE PAINTING (IN THE TIME OF COVID) |
Winter |
2021 |
ART CS 101, Section 1 |
Hank Pitcher |
| ARTISTS' FUTURES: PROFESSIONAL PRACTICES |
Winter |
2021 |
ART CS 106, Section 1 |
Sarita Zaleha |
| THE ORIGINS OF WONDER |
Winter |
2021 |
ART CS 107, Section 1 |
Serene Blumenthal |
| ADVANCED SOLO PROJECTS |
Winter |
2021 |
ART CS 112, Section 1 |
Kip Fulbeck |
| MATERIALS AND PRACTICES OF PAINTING |
Winter |
2021 |
ART CS 112, Section 2 |
|
| RESEARCH AND PRACTICE: INDEPENDENT STUDIO PROJECTS |
Winter |
2021 |
ART CS 112, Section 4 |
Iman Djouini |
| THE POETICS OF THE CUT |
Winter |
2021 |
ART CS 150, Section 1 |
Serene Blumenthal |
| CCS ART COLLOQUIUM |
Fall |
2020 |
ART CS 15, Section 1 |
Linda Ekstrom |
| PAINTING |
Fall |
2020 |
ART CS 101, Section 1 |
|
| ZINES: THE MEDIUM FOR YOUR MESSAGE |
Fall |
2020 |
ART CS 105, Section 1 |
Linda Ekstrom |
| INDEPENDENT PROJECTS |
Fall |
2020 |
ART CS 112, Section 1 |
|
| INDEPENDENT PROJECTS IN DRAWING AND PAINTING |
Fall |
2020 |
ART CS 112, Section 2 |
Hank Pitcher |
| DIGITAL ART |
Spring |
2020 |
ART CS 5, Section 1 |
Madeleine Ignon |
| LIFE DRAWING |
Spring |
2020 |
ART CS 101, Section 1 |
Hank Pitcher |
| ART AND BOTANY AND LANDSCAPE PAINTING |
Spring |
2020 |
ART CS 101, Section 2 |
Hank Pitcher |
| PAINTING |
Spring |
2020 |
ART CS 101, Section 3 |
|
| READING PAINTING |
Spring |
2020 |
ART CS 112, Section 1 |
|
| FIELD RESEARCH |
Spring |
2020 |
ART CS 112, Section 2 |
Jane Mulfinger |
| ADVANCED PROJECTS IN BOOK ARTS AND PRINT |
Spring |
2020 |
ART CS 112, Section 3 |
Sarita Zaleha |
| LIFE DRAWING |
Winter |
2020 |
ART CS 101, Section 1 |
Hank Pitcher |
| TYPE: LETTER PRESS PRINTING FOR BEGINNING AND INTERMEDIATE STUDENTS |
Winter |
2020 |
ART CS 104, Section 1 |
Linda Ekstrom |
| THE INTERSECTION OF ART & DESIGN |
Winter |
2020 |
ART CS 112, Section 1 |
Madeleine Ignon |
| INDEPENDENT PROJECTS |
Winter |
2020 |
ART CS 112, Section 2 |
Hank Pitcher |
| MATERIALS AND PRACTICES OF PAINTING |
Winter |
2020 |
ART CS 112, Section 3 |
|
| ARTISTS' BOOKS |
Winter |
2020 |
ART CS 105, Section 1 |
Sarita Zaleha |
| ART COLLOQUIUM |
Fall |
2019 |
ART CS 15, Section 1 |
Linda Ekstrom |
| DRAWING |
Fall |
2019 |
ART CS 101, Section 1 |
|
| BIG PAINTING |
Fall |
2019 |
ART CS 102, Section 1 |
|
| ART ILLUSTRATION FOR PUBLICATION |
Fall |
2019 |
ART CS 5, Section 1 |
Eric Beltz |
| THE FEMININE ABSTRACT |
Fall |
2019 |
ART CS 102, Section 2 |
Madeleine Ignon |
| ARTISTS’ BOOKS AND PUBLICATIONS: 10+ STRUCTURES IN 10 WEEKS |
Fall |
2019 |
ART CS 105, Section 1 |
Linda Ekstrom |
| MIXED MEDIA AND COLLAGE |
Fall |
2019 |
ART CS 112, Section 1 |
Madeleine Ignon |
| THE PORTRAIT |
Spring |
2019 |
ART CS 101, Section 4 |
|
| DRAWING |
Spring |
2019 |
ART CS 101, Section 5 |
|
| EXPERIMENTS IN ACTIVE READING |
Spring |
2019 |
ART CS 112, Section 1 |
|
| SPECIAL TOPICS – READING PAINITNG |
Spring |
2019 |
ART CS 112, Section 2 |
|
| INDEPENDENT PROJECTS |
Spring |
2019 |
ART CS 112, Section 3 |
Hank Pitcher |
| LIFE PAINTING |
Winter |
2019 |
ART CS 101, Section 2 |
Hank Pitcher |
| LIFE DRAWING |
Winter |
2019 |
ART CS 101, Section 5 |
Hank Pitcher |
| PRINT AND COLLABORATION |
Winter |
2019 |
ART CS 105, Section 1 |
Linda Ekstrom |
| ART RESEARCH AND PRACTICE |
Winter |
2019 |
ART CS 112, Section 1 |
Linda Ekstrom |
| PAINTING |
Winter |
2019 |
ART CS 101, Section 1 |
|
| EXPLORE TRUTH, FICTION & AUTOBIO - ART & LIFE |
Winter |
2019 |
ART CS 112, Section 2 |
Kip Fulbeck |
| COMPOSITION |
Winter |
2019 |
ART CS 112, Section 4 |
|
| RAPID MAKING AND RESPONSE |
Winter |
2019 |
ART CS 125, Section 1 |
Jane Mulfinger |
| ART COLLOQUIUM |
Fall |
2018 |
Art CS 15, Section 1 |
Linda Ekstrom |
| MATERIALS AND PRACTICES OF PAINTING |
Fall |
2018 |
ART CS 102, Section 1 |
|
| I LOVE ISLA VISTA |
Fall |
2018 |
ART CS 102, Section 3 |
Hank Pitcher |
| BEGINNING AND INTERMEDIATE LETTERPRESS PRINTING |
Fall |
2018 |
Art CS 105, Section 1 |
Linda Ekstrom |
| INDEPENDENT PROJECTS |
Fall |
2018 |
ART CS 112, Section 1 |
|
| LIFE DRAWING |
Fall |
2018 |
ART CS 101, Section 1 |
Hank Pitcher |
| GRAPHIC NON-FICTION: STUDENT LED COLLOQUIUM |
Fall |
2018 |
ART CS 15, Section 2 |
Caroline Allen |
| COLOR |
Fall |
2018 |
ART CS 102, Section 4 |
|
| DRAWING |
Spring |
2018 |
ART CS 101, Section 1 |
|
| ART AND BOTANY AT THE COAL OIL POINT RESERVE |
Spring |
2018 |
ART CS 101, Section 2 |
Hank Pitcher, Bruce Tiffney |
| CONTAINMENT: OUTSIDE & INSIDE THE BOX |
Spring |
2018 |
ART CS 105, Section 1 |
Linda Ekstrom |
| ARTICULATING CONCEPTS IN ART MAKING |
Spring |
2018 |
ART CS 107, Section 1 |
Jane Mulfinger |
| READING PAINTING |
Spring |
2018 |
ART CS 112, Section 1 |
|
| CROSS-POLLINATION IN ART |
Spring |
2018 |
ART CS 112, Section 2 |
|
| LIFE PAINTING |
Winter |
2018 |
ART CS 101, Section 1 |
Hank Pitcher |
| LIFE DRAWING |
Winter |
2018 |
ART CS 101, Section 2 |
Hank Pitcher |
| PAINTING |
Winter |
2018 |
ART CS 101, Section 3 |
|
| RESEARCH AND PRACTICE: INDEPENDENT STUDIO PROJECTS |
Winter |
2018 |
ART CS 112, Section 1 |
Linda Ekstrom |
| I WANT TO BELIEVE: SCIENCE FICTION, THE FICTION OF SCIENCE, AND THE UNKNOWN ORGANISM IN ART |
Winter |
2018 |
ART CS 112, Section 2 |
|
| QUEER ARTS & CULTURE: EXPLORING ARTISTIC EXPRESSION FROM AN(OTHER) PERSPECTIVE |
Winter |
2018 |
Art CS 15, Section 1 |
Jennifer Vanderpool |
| CCS Art Colloquium |
Fall |
2017 |
Art CS 15, Section 1 |
Linda Ekstrom |
| Life Drawing |
Fall |
2017 |
Art CS 101 |
Hank Pitcher |
| Materials and Practices of Painting |
Fall |
2017 |
Art CS 102, Section 1 |
|
| Medusa Oblongata: Women, Nature, Evil, & Art |
Fall |
2017 |
Art CS 102, Section 2 |
|
| Ten Books | Ten Weeks |
Fall |
2017 |
Art CS 105, Section 1 |
Linda Ekstrom |
| The History and Making of Print |
Fall |
2017 |
Art CS 107, Section 1 |
Harry Reese |
| Independent Projects |
Fall |
2017 |
Art CS 112, Section 1 |
|
